top of page

A U 7 9  E X H I B I T I ON

18/06/2015

DSC_0390.jpeg
DSC_0288.jpeg
DSC_0284.jpeg
lowe.jpg
CHxo6rJWEAA_heo.jpg
DSC_0131.jpg
DSC_0130.jpg
DSC_0126.jpg
DSC_0054.jpg
DSC_0058.jpg
DSC_0052.jpg
DSC_0015 2.jpg
DSC_0008.jpg
DSC_0002.jpg
DSC_0003.jpg
CHz5JyEWsAAeFvC.jpg
CHtJyZsWUAAs7DG.jpg
CHxo6rJWEAA_heo.jpg
DSC_0331.jpeg
10629868_10153444029823824_867781397501420510_n.jpg
DSC_0004.jpg
CHyl5SZWEAE40A4.jpg
DSC_0015.jpg

T H E   E X H I B I T I O N

T H E   C O N C E P T

The concept was to create a surrel, clean cut, modern envoirnement with the hint of an art deco edge.

 

The desire was to follow the minimalist yet diverse style of exhibition often found at London Museums. Working in this simplistic and clean style would allow all 79 clients work to be effectively presented, without the exhibition design overpowering visually.

 

A huge amount of inspiration for the concept was found through London exhibition research, London boutiqtues and large department stores such as Harrods. The spectators needed an atmopshere that would allow them to take time on viewing the work being presented, to feel as if they were browsing a shop for items to buy so they would invest themselves more emotionally into what they were viewing.

 

The colour palette was to be minimal, light greys, brilliant whites and matt white gold linking to the exhibition name 'Au79', representing the chemical symbol for gold and indicating the exhibition would be a goldmine of work being exhibited.

 

 The colour palette would be toned down through the use of the warm flood lighting and spotlighting. This lighting style would also allow for the exhibted objects to have  diect focus placed on them. Spectators senses would be further manipulated, through the use of surreal and etherial music to be sourced and devised.

 

 

T H E   D E S I G N   M O D E L

bottom of page